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I picture this timing likely developed throughout the Palladium period however I have not verified that. Eddie Torres began instructing and popularizing this timing beginning in the 1980's, from what I recognize. He was mentored by the late June Laberta, a ballroom dancing educator, that aided him establish his technique and timing.
The tale I'm continually informed below, that still calls for more investigation, is that as salsa began getting to new audiences beyond the Caribbean and New York, it was easier and extra user-friendly to instruct social outsiders to dance On1 rather than On2. Nevertheless, this story doesn't account for the reality that I've listened to Rueda de Casino was initially danced a tiempo On3 in Cuba.
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Salsa On1 is simply among numerous salsa timings you can dance to and it is one of the most usual timing you'll locate on the planet today. Salsa On1 timing interpretation: "On1" means you begin dancing on the initial beat of the bar of music the 1. Your break steps (direction changes) are on beats 1 and 5.
The exemptions I've located up until now, where On2 is most usual, would certainly be around New york city and in South Korea (Bachata Dance San Francisco). I'm certain there are various other locations that dance generally On2 but I haven't danced in every country yet! If you're not sure what timing is most usual where you live, ask your neighborhood dancing studio
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When a person states "I dance salsa On1" they probably mean "I dance straight style salsa On1" (although you can dance any kind of design of salsa On1, people generally imply linear design). Don't stress if you've claimed these things in the past, it's all great all of us have! The essential point is to keep in mind there's a difference between design and timing and deepen your understanding so you can be much more accurate when speaking about salsa with your friends.
It attaches nicely with the wording in the songs, specifically the piano, and various other percussion instruments like the cow bell and giro. Timing and design are 2 different points, so different the ideas when read this you discuss salsa with your buddies. No matter what timing is most common in your region of the globe, remember you can practically dance any design of salsa to any timing explore and appreciate! Want a lot more? Examine out this deep dive on the difference between dance salsa On1 vs On2 when dancing a tiempo.
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Although there is an original mambo dance that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when a person claims "I dance mambo" they suggest salsa On2, which is various than the initial mambo dancing. The erratic free-from steps of the original mambo were danced solo.
As the dancing started to spread, On1 timing began to come to be prominent. Salsa On2 meaning: "On2" means you begin dancing on the very first beat of the bar of music the 2.
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A great deal of professional dancers appreciate dancing On2 for the diverse ways you can connect to the music. Boy cubano is the music and dance that preceded mambo and salsa.
It links well to the clave, bass and conga - Bachata Dance San Francisco. Cha-cha is much like dance On2 contratiempo yet you add the three-way step on 4 and 8. Although danced to the exact same beats as On1, your break steps are now on 2 and 6, which changes the feel of the dance.
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This timing is almost identical to contratiempo On2 but the actions that are generally on 4 and 8 are on 4. It's virtually like a timing in between a tiempo and contratiempo.
5 as opposed to 5) you're dancing this syncopated timing. If you're dancing contratiempo and you tip half a beat late in the home placement (on 4. 5 as opposed to 4) you're dancing syncopated timing. In truth it seems it's often danced as kind of a "blunder" for any person dancing the previous 2 timings.
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As discussed earlier, this was the initial interpretation of dancing on clave (kid clave), where the Puerto Ricans would certainly straighten their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The idea is to line up as lots of steps of your basic as feasible with the strikes of the child clave.
The important things concerning music and dancing is that there is no right or wrong. There is simply interpretation. You can dance on any timing you like! Normally, people have found a way to dance on practically every timing possible to kid and salsa music. Individuals dance On3 for the same reason you dance On1 since it highlights the solid beats of 1-3-5-7.
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Allow's look at the beats you dance On1 to: -2-, -6- (strong beats remain in vibrant) Allow's look at the beats you dance On3 to: -4-, -8- (strong beats are in strong) Notification how the strong beats are spaced exactly the exact same for On1 and On3? All you do is begin tipping On3 as opposed to On1.
That's why dance On3 is so common in Latin America. People either Try to dance On1 but start stepping On3 by mishap and it functions out simply penalty, or They do not recognize much concerning timing and are simply interpreting what they hear in the music, based on their experience growing up in a culture with salsa.